Nick Lowe (Power Pop)

English version · automatic translation
Anachronique: Nick Lowe (Power Pop)
Nick Lowe, the real Jesus of Cool. Let us rewind. Nick Lowe started playing music in 1966 with Kippington Lodge. At the time, Nick Lowe was only 17 and played blue-grass folk. He then played for Brinsley Schwarz, and Elvis Costello would cover one of the band’s songs, “(What’s So Funny ‘Bout) Peace, Love, and Understanding“, turning it into one of his biggest hits. Nick Lowe was then off on a long career. In 1976, Nick released his first 7inch, “So It Goes” b/w “Heart of the City”, which would be Stiff Records’ first single. And then, in 1977, Nick Lowe released an EP called Bowi, a reply to David Bowie’s Low EP. Nick Lowe’s first album finally came out on Demon Records (also the label of Ian Dury and T-Rex) in 1978. Jesus of Cool was renamed Pure Pop for Now People for its American release. Since then, Nick Lowe has released more than 10 albums. This artist gives off the ultimate feeling that everything he touches turns to gold. The purity of his voice surely has a lot to do with it. It leaves room for a great deal of humanity, a very particular warmth.
Jesus of Cool is one of the best Power Pop albums of all time. Truly, Jesus of Cool is a Powerful Pop album. The drive of the record’s 11 tracks has few equals. You quickly find yourself transcended by a Pop so effective that it often becomes hard to accept. The first minutes of the album, with “(I Love the Sound of) Breaking Glass“, are immortal. The guitar sound is so delicate that it is impossible not to see the genius of this track. It is in fact one of Nick Lowe’s flagship tracks. There is something very pure about it, a bit like what his great friend Mickey Jupp did. “Little Hitler“, a Beach Boys-style surf music track, pairs perfectly with lyrics that would have made the little man with the mustache turn pale. No point denying the Beatles influence on “Tonight“. Add a little Johnny Thunders touch (article) for a very charismatic result. Elvis Costello-style backing vocals, voice on several tracks à la CCR, this song is another immortal.
How can you not fall head over heels for “Nutted by Reality”? This is absolute Pop perfection. Combining Power Pop and Jangle so brilliantly would have been enough to make Jesus of Cool a legendary album. Then comes “So It Goes“, certainly one of the most extraordinary tracks in Nick Lowe’s entire discography. We are facing one of the very best pop songs of the ’70s. The soundtrack of a lifetime, “So It Goes” is unstoppable, magical and enchanting. “No Reason” is one of the most atypical tracks on the album. Next comes “Marie Provost“, typically the kind of track that recalls America’s Belle Époque, that of American Graffiti. This track recalls the colorful sounds of NRBQ’s “Ridin’ in My Car”. “36 Inch High” is darker than the others, a kind of far west far removed from the rest of the album. With repeated listens, this track ends up standing out as one of the album’s most essential. Big Star style. The album closes on “Heart of the City“, the first track Nick Lowe released. This track will easily meet the expectations of Power Pop/punk-ish fans, more in the spirit of Wreckless Eric, or of Eddie & The Hot Rods’ brilliant “Do Anything You Wanna Do”. The 1978 TV version is worth a look (link).
Nick Lowe’s music often recalls the very best of the biggest names on the independent scene. Nick Lowe is today a true living legend. His music symbolizes Middle America, its beautiful melodies and its warm sounds. It conveys a joie de vivre as only the best of Power Pop has managed to do. His Folk leanings have always drawn Nick Lowe toward beautiful melodies, as his 2007 BBC session still attests (link). Each of Nick Lowe’s albums holds its share of magic. He is now one of those who changed a lot in the world of music. The man who still sings “Cruel to be Kind” has never stopped being a generous artist. A bit like Jonathan Richman (article). The mark of the very best.
Related links:
Anachronique on Jonathan Richman
Link to ALL the anachronistic articles
Original version (French)
