Modernettes, feel-good Canada

English version · automatic translation
Anachronique: Modernettes, feel-good Canada
The Modernettes were a band from Vancouver (Canada) active in the very early 1980s. Once again, I am taking on a band from that era that left its mark on its city without getting its name into all the history books. With the Modernettes, we dive into the Canadian punk-ish scene, which lacks visibility.
The band’s discography is fairly easy to get a handle on: only one album came out, Gone… But Not Forgiven, and just two EPs go with it. Teen City is the first, an EP released in 1980 made up of 6 tracks that never stray from the punk rule the band set itself. A few music videos top it all off, and that is the whole of the Modernettes’ discography.
Before getting deeper into what this EP holds, I would simply like to draw your attention to the philosophy underlying this musical movement. The Modernettes are a colourful, jovial punk, far from the very UK spirit of the same era. In that, the Modernettes recall US punk – dumb punk – which has such an influence on today’s scene. Don’t look for a political message here; the Modernettes honour a lifestyle more than they mean to fight any kind of oppression. Out with those who look to music for a reason to cast an anarchist vote; with the Modernettes, we care more about the colour of our make-up than about the President of the Republic.
Teen City is a very good EP of the genre, which opens with “Barbra“. This single, the big hit of the Modernettes’ discography, goes no further than the usual slightly love-themed song. As you know, the tradition of the best power pop artists is to tackle this theme endlessly, which is what the Soaked do – Friday’s article – and what the Modernettes do, so as not to break the rule. The video that goes with this track looks like it came straight out of Ferris Bueller, so it is cheesy and dated, but definitely a success. After feel-good movies, here come feel-good singles.
Once it is over, we pounce on “Suicide Club“, another notable track in the Modernettes’ short discography. The band is certainly less well known than the Pointed Sticks (article), but tracks of this calibre tend to put it on the same level from a strictly musical point of view. Mary-Jo Kopechne leads the track with a firm hand on her bass. “Celebrity Crack Up” has a similar intensity.
“Confidential” aims to be more pop, close to the power pop I bring up whenever I can. Modernettes play the punk that wanders the streets not knowing what to do – just listen to the lyrics, you would think it was pre-slacker. “Little Girls” shifts into a higher punk gear, a more in-your-face track that does not hesitate to give away its few Real Kids-style secrets.
“Teen City” is one of the few hits in the Modernettes’ discography; Buck Cherry (John Armstrong) switches to pop-punk mode, Cheap Trick style. The band sings about a Teen City USA, adding further to the confusion about its real influences.
Whether or not you know the Modernettes, you will not fail to notice that the jangle pop of the guitar combined with the punk energy of this EP tends to make these tracks unbeatable. The Canadian clique of the time knew how to deliver hits that cast a bit of a shadow over what was happening on the US side. Canadian pop culture did not reach its peak with the election of Justin Trudeau; the Modernettes and the few Canadians already hiding in the anachronique section knew how to go about it when it came to cheesy pop.
Barbra
Suicide Club
Celebrity Crack Up
Confidential
Little Girls
Teen City
Links:
Article on the Pointed Sticks
Link to ALL the anachronique articles
Original version (French)
